vanishing act, queer arts festival, vancouver, bc, 2022. curated by adwait singh. photo by sd holman.
photos by panagiotis baxevanis, courtesy of onassis stegi, your and ai: through the algorithmic lens, pedion tou areos, athens, gr 2021
photos by stelios tzetzias, courtesy of onassis stegi, your and ai: through the algorithmic lens, pedion tou areos, athens, gr 2021abra: digital exhibition, left contemporary, windsor, on, 2020
xpace cultural centre, toronto, on, 2020; photography by roya delsolscan the difference: gender, surveillance, and bodies series, vbkö, vienna, au; curated by vanessa gravenor, nina prader, and e. bonhomme, 2019syphon 5.1: my life is not your ______., modern fuel artist run centre, kingston, on, online and print, 2019
alienated labor (with jonathan chacon), ori gallery, portland, or; curated by yun chiu, 2018
ali, in their video abra (2018), is in conversation with the "percy" mascot, who is related to amazon’s customer-obsessed mascot, peccy. their discussion about working-class labor, surveillance, and bubbles (economic, social and soap filled), literally paints the video orange. they contend that orange is the contemporary color of labor and surveillance, it is racialized and classed.
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